By: Bella Dalba
Until 1937, the term “color guard” referred solely to an
institution of the military: namely, a detachment of soldiers assigned to the
protection of regimental flags. These flags were generally awarded to a
regiment by the Head-of-State during a ceremony, and were inscribed with battle
honors or other symbols representing former achievements. As they represented
the honor and traditions of the regiment, the loss of a unit's flag was not
only shameful, but losing this central point of reference could result in the
unit disbandment. Regiments began to adopt color guards, a detachment of
experienced or élite soldiers, to protect their colors. As a result, the
capture of an enemy's standard was considered as a great feat of arms.
Obviously due to the advent of modern weapons, and subsequent changes in
tactics, colors are no longer used in battle, but continue to be carried by
color guards at formal events, where they are ceremonially armed with either
sabres or rifles.
Derived from the original, distinctly disciplined practice,
a more modernized version of color guard has evolved. Now found in most
American colleges, universities, and high schools, it incorporates the
traditional aspects of a military color guard (flags, steel sabres, wooden
rifles) into dance routines, similar to dance theater. There are many different
types of spins that can be done with the each, as every spin creates a
different illusion and can be utilized for different tempos. Beginners
typically start out with flags, and move onto a rifle or sabre after their
first or second year. New recruits often have to work to learn technique, build
upper body strength, and balance the weighted flags. Despite being weighted,
however, weather conditions such as wind and rain can affect a flag's spin and
disrupt a toss if not correctly taken into account, which all freshman members
must learn to compensate for. First-year guardie Brittny Velasco illustrates,
saying,“At first, spinning a flag was really hard. I would have to go outside
and practice all the time, and that was just for the basic moves. Now I have
[defined] muscles I didn’t even know existed!”
Color guards typically accompany a marching band or a drum
and bugle corps as a non-musical section, not only providing additional visual
aspects to the performance, but interpreting the music through synchronized
routines as well. Color guards also may use backdrops to bring color and
scenery to the field if the concept of the show is difficult to discern. The
performance generally takes place on a football field, either during home
football games (out of tradition) or when bands compete during the fall. During
these competitions, the guard adds to the overall score of the band, but is
also judged in its own category, usually called auxiliary (Seckman’s Jaguar
Pride Marching Color Guard ’14 took first in this category at every competition
they participated in). The ancillary name is based upon the original purpose
for color guards in marching bands, to be a “supplement” to the music. Don’t
tell that to Lori Blessing, Seckman’s Color Guard Instructor: “The color guard
is as integral to a show as the band itself. Without one another, the story
cannot be told.”
Before it was a subsidiary role, however, flag spinning was
an independent art form: the traditional Swiss art of flag swinging, or
“Fahnenschwingen,” was an Olympic sport. The 1936 Olympian Franz Hug of Lucern,
Switzerland, came to America and introduced flag swinging in 1937. Leonard
Haug, then an assistant band director at the University of Wisconsin, was
intrigued by the concept, and created ten flags representing the schools of the
Big Ten Conference. The following year, he was hired by the University of
Oklahoma, and became the first person to introduce the technique in the
Southwest. He formed a corps of Big Six Conference flag swingers for the Pride
of Oklahoma Marching Band. By 1940, O.U. flag swingers were participating at
basketball games and creating innovative routines with two flags. As Director
of the O.U. Band, Haug wrote a training guide for flag swinging and an article
for a swing flag brochure, assisting the spread of the trend to other marching
bands.
Color guards spread quickly throughout the country. The
unique visual effect of spinning flags drew the attention of crowds and quickly
caught on. Having visual impact for pieces played when the band stood still
added a whole new dimension to the performance. By the late 1970s, and into the
mid-1980s, color guards had been added to most Southwest Conference, Big Ten
and Big 8 (currently Big 12) bands. Once these prominent university bands had
color guards, there was widespread inclusion of guards at high schools across
the nation in the 1980s and 1990s. The popularity of color guard grew so much
that it evolved into a separate activity known as winter guard.
According to WGI.org, a winter guard is defined as “a team
of highly skilled individuals who work to create and perform complex sequences
of dance, music, and use of special equipment, such as sabres, rifles, and
flags, to compete by division.” It is an indoor activity performed in
gymnasiums. The floor is typically covered by an individually designed tarp
(also called a floor mat or floor) that generally reflects the show being
performed on it. The guard performs to a piece of pre-recorded music, as
opposed to the music of a band, and are allotted only one song, as opposed the
three to four movements of marching band. Winter guards compete independently
in such circuits as Winter Guard International (WGI) and Tournament Indoor
Association (TIA).
WGI is best known for coining the phrase "The Sport of
the Arts," due to the equally athletic and artistic nature of winter
guard, which has become the unofficial slogan among participants. Co-founded in
1977 by six people, the goal of WGI was to organize and standardize the
activity by creating skill levels, scoring systems, venues, and competitions.
Today, WGI hosts many regional competitions which lead up to the World
Championships, a three-day event in which hundreds of winter guard groups come
together to compete. Groups participating in a WGI event are placed into one of
eight categories: Middle School, Regional A, Scholastic A, Independent A,
Scholastic Open, Independent Open, Scholastic World, or Independent World. Your
Seckman Jaguar Winter Guard, now going into its third season, competes in the
Scholastic A circuit, where they became state champions during their 2013-2014
season.
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