By: Peter Lewis
In
the past three to four decades the American comic book has become much more
respected from an artistic standpoint; despite this, the books tend to have a
rough transition to the silver screen. Comic
adaptations on film have struggled in finding a true identity, in the sense of
either capturing the escapism from the source material or being too serious and
darker than the public’s perception of comics being children’s stories. In the early 2000s, this became apparent as
many comic adaptations were released to the cinema. In 2002’s Spiderman,
the film was much more serious in storytelling, but had dialogue that
uncomfortably mirrored a 1950s comic. With
2005’s Batman Begins, the comic film
could easily be serious, gripping, and memorable, but at a slight cost to the
humanity the comics possessed. Yet, in
2008, Iron Man was released and did
very well at doing all of the above and setting off the Marvel Cinematic
Universe. Under the Marvel Studios brand
with Disney, this has become the most notable series for being a guide for how
to do a comic adaptation that stays true to its source material.
However,
the main criticism of Iron Man centered
on serious themes (a good example being Robert Downey Jr.’s portrayal of Iron Man).
The Marvel Cinematic Universe did, to an extent, hold back to keep family
friendly while heavily focusing on action.
Critics also have pointed out that, compared to DC’s Dark Knight Trilogy, 2013’s Man of Steel, and even the Marvel
imprint owned by 20th Century Fox, X-Men, this film wasn’t as compelling with storytelling; in other
words, many though DC and Fox had the surreal factor down, while Marvel Studios
stuck to the safe basics.
I’m
not going to agree or disagree with the criticism above, but I definitely see
where the criticism has stemmed from. With
this, it was clear Marvel Studios wanted to change after 2012’s blockbuster and
successful The Avengers film. Last year, 2013, saw Iron Man 3 and Thor: The Dark
World take more chances, but still remain safe, especially at the climax of
the films. This time around, Captain America: The Winter Soldier, the
sequel to both 2011’s Captain America:
The First Avenger and 2012’s The
Avengers, was the next film in the franchise to attempt to keep this new
creative model going. In many ways, Captain America: The Winter Soldier may have found a way to combine both escapism
and the surreal much better than many had thought possible.
Set
two years after the events of The
Avengers, Captain America: The Winter
Soldier shows Captain Steve Rogers, played by Chris Evans, adjusting to the
modern world around him from his most recent environment, 1940’s World War II
United States. The film wastes no time getting
into the action and plot as Steve Rogers, Captain America, is sent on what
seems to be a routine mission which turns into a conspiracy against SHIELD, the
pseudo CIA of the Marvel Universe. With
this, Rogers becomes trapped between the agendas of Director Nick Fury, played
by Samuel L Jackson and Alexander Pierce, played by Robert Redford. Rogers is accompanied by allies Natasha
Romanoff, played by Scarlett Johansson, Sam Wilson (“The Falcon”), played by Anthony
Mackie, and Maria Hill, played by Cobie Smulders. The group is forced into immediate action
against the enemy known to SHIELD as the Winter Soldier, played by Sebastian
Shaw, and the forces tearing apart SHIELD as well as the values Rogers believes
in.
Be
aware the plot is not as simple as it seems above; it’s short to avoid spoilers
because the plot of Captain America: The
Winter Soldier is very complex and has surprises and shocks all
around. It’s best to know that the film
is Marvel Studios stepping up its game in a big way. Captain
America: The Winter Soldier is an incredible political thriller and comic
adaptation and works very well.
Acting
here is great. Evans, as he did in his
previous films as Captain America, is nearly perfect and good at giving the
character a new outlook, rather than being simple patriotic overload as the
character had been in the past. Evans
provides a very likeable character with great value, showmanship, and morality. Scarlett Johansson reprises her role of Black
Widow for the third time and receives more deserved screen time for easily her
best portrayal of the character yet. Unlike
her past two films, her character receives more background and is more utilized
and Johansson handles the role very well.
Anthony Mackie debuts as the Falcon and, to his credit, does a very nice
job for his first time in the Marvel Universe.
The Falcon, however, is noticeably absent for the film’s second act;
when he does get screen time, he gives his character a good service and sets him
up for future editions in the series. Samuel
L Jackson yet again plays Nick Fury and is a true force on screen. While not doing what he usually does (yelling,
swearing, and beating people), Jackson is still a great part of the series and
here finally gets more screen time than past films in the Marvel Cinematic
Universe have given him. Finally, Cobie
Smulders reprises her role from The
Avengers, but this time also gets more screen time and shows very good
acting ability and a great development for her character.
As
for Redford and Shaw, both depict their characters well and give the film a
much needed plot challenge in the best way.
Alongside the cast and story, Redford and Shaw both shine and, with
Evans and Johansson, steal the show.
Captain America: The Winter Soldier introduces new
directors, Anthony and Joe Russo, who will be taking over the Captain America
series. I’ll admit I was skeptical of
them taking over as their track record leading up to this was very minimal (and
to me unimpressive), but the Russo brothers were incredible behind the camera. They both took the source material and script
extremely seriously and clearly worked hard to put out the best film. They opted for more character study and story
development than action. When it is
utilized, it’s very compelling and intense because their build up to it was
great. They both worked tremendously
well with the writing from Christopher Markus and Stephen McFeely. Captain America: The Winter Soldier
takes a more serious tone and slightly minimalizes the humor and action from
past films in the Marvel Cinematic Universe imprints, but when it is put in it
works very well. Along with the golden
boy and overseer of Marvel Studios, Producer Kevin Feige, Captain America: The Winter Soldier is easily at the top of the
list in the Marvel Cinematic Universe, outdoing its predecessor and even 2008’s
Iron Man.
Is
the film perfect? Nearly, but I did have
two minor, and I mean very minor, complaints with the film. For one, where Iron Man 3 and Thor: The Dark
World were primarily centered around the characters, Captain America: The Winter Soldier was a combination of a Captain America, The Avengers sequel and SHIELD sequel. In the film’s defense, the first film was a
set up for the Avengers and SHIELD storyline, so it makes sense for SHIELD to
play a major role. For the most part, I’d
look more to the development of Captain America as a character and
storyline. Second, the film saves it
major action for the climax, but ends up being typical Marvel Studios
blockbuster action. It works well, but
for a film that felt fresh and new, it would have been nice to see something
new done for the climax for a change.
Overall though, Captain America: The Winter Soldier is a
fantastic and fresh film worth a view.
For Marvel and Disney, it’s a continuation of success and shows that
they aren’t content with putting out the same story, but would rather continue
to try to innovate for their cinematic universe to be one of the best in film
history. Without a doubt, Captain America: The Winter Soldier is
one of the best comic adaptations in recent memory and worthy of praise